Showing posts with label Chris Anderson. Show all posts
Showing posts with label Chris Anderson. Show all posts

Sunday, 13 March 2016

Netflix & Film Distribution


o   Netflix & Film Distribution

Digital film distribution & streaming has changed the way audiences consume films.
In the past film distribution was solely controlled by institutions they decided:
·         which films got released
·         where they were released
·         when they were released (day, time, how long for)
New business model for in the digital age – Gauntlett’s idea of traditional media, in this case film and new media (digital distribution) existing side by side. Gauntlett viewed this as a positive for audiences e.g. the removal of the fixed schedule (cinema timings) with VOD affording audiences more choice / power as to how and when people watch the films. It’s important to remember though that ultimately, Netflix control what we watch (see notes below on distribution deals). 
All forms of media are migrating online - including the film industry. Arguably this the challenges Gauntlett’s ideas of the resurgence in making of things as all that has happened is traditional media have just found new ways of profiting in the online age. In addition Neflix’s business model  challenges the ideas of the great levelling – instead we are seeing the same monopoly of ownership online that has always existed offline.
Technology convergence & increased connectivity has facilitated the process of digital distribution. Audiences buy into the freedom and choices this gives them. One could argue that this choice / power is an illusion (see point above).
Supports Anderson’s idea of economic growth of niche – The Long Tail.
Streaming is viewed as a tool to attempt to combat piracy.


 








































Netflix & Distribution

Netflix currently has exclusive "pay TV window" deals with major and mini-major studios. The "pay TV" deals in essence, give Netflix exclusive streaming rights and are not distinct from the distribution rights held by traditional pay television services, which are also effectively prohibited from obtaining first-run linear television rights with these deals.

Titles from:

·         DreamWorks Animation

·         Open Road Films

·         FilmDistrict

·         The Weinstein Company

·         Sony Pictures Animation

·         Walt Disney Studios Motion Pictures. This includes Walt Disney Pictures, Walt Disney Animation Studios, Disneynature, Pixar, Lucasfilm and Marvel Studios.

·         Epix signed a five-year streaming deal with Netflix in which for the first two years, first-run as well as back catalog content from Epix was exclusive to Netflix.

·         On January 14, 2013, Netflix signed an agreement with Time Warner subsidiaries Turner Broadcasting System and Warner Bros. Television to distribute content from Cartoon Network, Warner Bros. Animation, as well as TNT's revival of the drama Dallas beginning in March 2013.

However: Licenses expire over time, meaning that titles can disappear with little warning.

Universal, Paramount and Lionsgate have all ended their former deals with the company

The benefits for the audience of film distribution deals

·         They receive unlimited access to films and tv shows uploaded to Netflix.

·         They get a competitive price as Netflix is in competition with other streaming websites such as Amazon prime.

·         As Netflix knows what they watch it can recommend films and tv programmes based on the customers previous watch history creating more interest.

·         It’s cheaper than most, $9.99 to the basic package, to $15.99 for ultra-HD.

·         Original series, like House of Cards

·         Unlimited access to films

·         Vast range of films, and recommendations to the user

·         Audiences benefit from this as they are getting to watch all the films they want from big film industries for half the price if they were buying them separately as Netflix’s pays most the load

·         Audiences benefit from having access to films with more choice for less money than if they were to by the films individually







Benefits to Netflix

·         They can collect data from what their audience watch in order to make deals with other media conglomerates.

·         Benefit to institutions as they always have somewhere to stream their films and make them accessible for audience to watch.  Another way for them to make money through their films rather than just selling dvds or copies.
Netflix benefits as they are gaining money if they have successful films on the website it will therefore attract more money which they are using to reinvest e.g original film production

Friday, 11 March 2016

Crowdfunding and the Film Industry


o   Kickstarter & Crowdfunding for film production

·         Kickstarter launched on April 28, 2009 in US.

·         On October 31, 2012, Kickstarter opened to projects based in the United Kingdom, followed by projects based in Canada on September 9, 2013,  Australia and New Zealand on November 13, 2013, and Denmark, Ireland, Norway, and Sweden on September 15, 2014. and in Spain on May 19, 2015.

·         Crowdfunding model.

·         Offers rewards in exchange for pledges.

·         Kickstarter has reportedly received more than $1.9 billion in pledges from 9.4 million backers to fund 257,000 creative projects, such as films, music, stage shows, comics, journalism, video games, technology and food-related projects.

·         Veronica Mars (film) is Kickstarter’s 10th highest funded crowdfunded project. Recieving $5,702,153 from 91,585 backers.

Key issues about Crowdfunding:

Focus is on the impact crowdfunding is having on film production.

Positives
Negatives
Can be viewed as democratic – users deciding what films get produced. Echoing Tim Berners-Lee’s vision of the web.

Very often once films get produced they have to go to one of the big six to get distributed. The media gods can still then be considered gatekeepers (Gauntlett) in terms of how producers get their films to audiences.

Illustrating a challenge of the control of media gods (Gauntlett).

Potentially could allow lead to the cult of the amateur (Keen).
Potential to see more niche products being made – The Long Tail (Anderson).




1. Veronica Mars

Film’s Kickstarter Stats:

Number of backers on the film’s Kickstarter: 91,585 backers

How much money it pledged: $2,000,000

How much money it received: $5,702,153

If you pledged $1 or more you would receive exclusive backer updates throughout the production of the film.

If you pledged $10 or more you would be sent a pdf of the shooting script on the day of the movie’s release. You will also receive regular updates and behind-the-scenes scoop throughout the fundraising process and the movie production process.

If you pledged $25 or more you will be sent a limited-edition Veronica Mars – The Movie t-shirt, you’ll be sent a pdf of the shooting script and regular updates.

If you pledged $35 or more you would be sent a digital version of the movie within a few days of the movie’s theatrical debut, plus the t-shirt, regular updates and the pdf of the shooting script.

If you pledged $50 or more you will receive everything already mentioned and a physical DVD of the movie which also includes a documentary on the making of the movie.


Film release date: March 14th 2014

Budget: $6 million

How much it made at box office: $3.5 million

Directed by: Rob Thomas

Distributed by: Warner Bros. Pictures

Warner Bros. Pictures is one of the big media gods which have power over the film industry. The fact that the film used one of the big 6 from the media conglomerates to get their film distributed tells us that the big 6 have control of film distribution.

Distribution: Majority of its screenings were held by AMC Theatres. The film also became available to rent and buy through video on demand (streaming services such as Netflix) and online platforms. This film was the first film distributed theatrically and for home viewing at the same time in the United States by one of Hollywood’s six major studios (Warner Bros. Pictures). The film was released on DVD and Blu-ray formats on May 6th 2014. The film had its first world premiere at the South by Southwest film festival on March 9th 2014.

Student Revision Notes Example: Veronica Mars
Media Area
The Past
Example
How the internet / technology facilitated this
Impact on media area
Key terminology
Theory and relevant terminology
The future
Kickstarter and production
Media producers would have to go to a media god such as 20th Century Fox in order to have their film funded and market to audiences.

Media producers might have also pitched their idea to possible investors in order to gain funding
Veronica Mars (2014)
Web 2.0: due to social media websites such as Facebook existing it has made it easier to share these campaigns and get them seen by thousands of people.

This has been made possible by…
Increased connectivity (broadband, 3G, 4G, fibre optic, wifi)
Technological convergence (you can have a kick starter app and due to mobile phones now being able to connect to the internet, you can access this website anywhere)
Media producers can now gain funding without going through the media gods or investors.

The film maker offered rewards such as t-shirts, a copy of the shooting script and even a short speaking role in the film was offered to donators in order to get them to donate more money for funding. It made the audience feel like they were getting involved with the production of the film.

One lucky backer who donated $10,000 got a speaking role in the film and got a chance to be on camera

Backers who donated $35 or more got a copy of the shooting script, t-shirt, regular updates, behind the scenes scoop and they also got a digital copy of the film before it’s theatrical release
Web 2.0

Technological convergence

Crowd funding
David Gauntlett Bypassing media gods
We will defiantly see more kickstarter funded films in the future because it’s not easy getting an investor or a media god to back your idea. So by people using crowd funding – we might see more films.





2. Blue Mountain State: The Rise of Thadland

-          What was it? The film idea came about after the TV show (Blue Mountain State) was cancelled in 2012 after just three series. One of the creators, Eric Falconer, felt the story wasn’t complete and so decided to make a film to continue the story.

-          2016 American comedy film

Kickstarter Facts:

·         23,999 backers

·         Pledge total $1,911,827 to help bring this project to life.

-          $1,500,000 goal

-          Offered a range of rewards:

o   Pledge $10 or more- PDF OF THE SHOOTING SCRIPT PLUS A THANK YOU TWEET AND FOLLOW FROM THE OFFICIAL 'BMS: THE MOVIE' TWITTER ACCOUNT.

o   Pledge $10,000 - A SPEAKING ROLE IN THE MOVIE. You will speak at least one line in the movie.
As an added bonus, you will receive two tickets to the premiere of your choice plus access to the exclusive after party with the cast and creators. You'll also receive a signed BMS Jersey, a "Special Thanks", an autographed poster, a personalized Vine, a T-shirt, a digital download of the movie, Mascot's doorknob sign, a PDF of the script, a tweet/follow from the official BMS: The Movie twitter.



-          Distributed by Lionsgate Entertainment Corporation

o   As of November 2013, it is the most commercially successful mini major film and television distribution company in North America and the seventh most profitable movie studio.

o   Lionsgate distributed The Hunger Games and The Insurgent film franchises.



-          Blue Mountain State: The Rise of Thadland was released on Netflix on March 1, 2016.

3.Anomalisa
·         Project launched in 2012, July 11
Kickstarter Key Facts:
·         Raised $10,000 in less than 3 hours
·         People who pledge $250 received an exclusive, Mary Shelley Frankenhole season 2 crew sweatshirt, signed by Dino Stamatopoulos (Exec. Producer)
·         Pledge $50 or more, A DVD copy of the film once it has been distributed and all of the above
·         5,770 backers pledged $406,237
·         Received $406,237,  its goal was $200,000
·         Anomalisa is a stop-motion animated film written by Charlie Kaufman (Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind).
·         The film is about a man crippled by the mundanity of his life.
·         The film is approximately 90 minutes in length.
·         Anomalisa had its world premiere at the Telluride Film Festival on September 4, 2015.
·         The film went onto screen at the Venice Film Festival on September 8, 2015, and the Toronto International Film Festival on September 15, 2015.
·         It was announced that Paramount Pictures (Parent company, Media conglomerant-Viacom) had acquired worldwide distribution rights to the film.
·         The film was released in a limited release on December 30, 2015. A wider release followed in January
·         Released: 2015 ©2015 Paramount Pictures. Paramount is one of the Big Six Studios. Clearly, Kickstarter facilitates funding but in order to get to audiences this project had to go to one to a major conglomerate.
·         Anomalisa has grossed $3.1 million worldwide
·         $8 million budget

4. Who the F*@% is Frank Zappa

Who the F*@% is Frank Zappa is going to be a documentary about Frank Zappa. This documentary will included exclusive interviews and unseen footage and material by Frank Zappa. This unseen material will be taken from Zappa’s private vault which the director will have access to with the funding.
·         The project is by Alex Winter (Director).
·         Who the F*@% Is Frank Zappa will only be funded if at least $500,000 is pledged by the 9th April 2016.
·         The project has been up on Kickstarter for 24 days (todays date is the 15/03/16)  and has pledged $341,826 from 1,916 backers.
·         The full goal is to raise $3mm.
·         The creators will also share some of Frank’s never-before-seen artwork, video stills and more in a hardcover companion book if the money is raised.
·         They have put together a bunch of rewards to lure backers into donating their money for their project.

 
Why are people backing the project? –  The main people who are backing the project are fans of Frank Zappa. These fans want to discover and learn more about Frank Zappa and want to help this project happen.
5. Wish I was Here
6. Incident in New Bagdad
Created by;
Morninglight film
Directed/produced by;
James Spione – American writer director and producer of documentaries
Release Date;
April 24, 2011
Summary;
Incident in New Bagdad is a short documentary film (22 mins), about the 2007 Bagdad airstrikes.
The film features a first-person account from Ethan McCord, one of the first soldiers to arrive at the scene of the airstrike that killed between 12 to over 18 people and wounded 2 children in New Baghdad during the Iraq War.
What the pledgers get if they back a certain amount of money on the project:
If they pledge $5,000 or more: You will become the sole Executive Producer of this movie. In addition, you will receive the signed DVD, LA premiere tickets, plus a private dinner and conversation in Los Angeles with director James Spione and the subject of the film, U.S. Army veteran Ethan McCord.
Pledge of $5 or more: You will receive a heartfelt thank you email from me, plus your name listed on a special "Thank You" page on the "Incident in New Baghdad" website
Awards;
Featured at the 2011 Tribeca film festival where it won for the best short documentry. It was the second Kickstarter-funded film to be nominated for an Academy Award.
Pledges;
84 backers pledged $11,960
Distributors;
Commercially distributed this film, companies like Seventh Art Releasing. Seventh Art releasing is a independent distributer that mostly distributes award winning documentaries and short films.




Tuesday, 8 March 2016

The Music Industy and Distribution - Chris Anderson's Long Tail


o   Application of Chris Anderson’s Long Tail to digital music distribution
Chris Anderson defined the Long Tail as an economic state where products have a longer sales pattern when they don't rely on shop storage because they are either sold online (Amazon). If you add up all the revenue from the Niche market films, the profit can be greater or equal to the profit from one Blockbuster of best selling product. Pre-broadband Niche products were hard to find and expensive to buy, now online shopping/ sharing makes it easy to cater for everyone's taste.

An Amazon employee described the Long Tail as follows: "We sold more books today that didn't sell at all yesterday than we sold today of all the books that didn't sell yesterday."

Chris Anderson's Theory applied to Spotify.
However, on Spotify, there are 944 different genres, with thousands of different artists. According to Spotify, with 20 million subscribers, a "niche/indie artist" could expect to generate $1.2m a year in Spotify payouts, while a "heritage artist" would generate $2.6m.

However:

"Chris Anderson was right that the falling cost of distribution has made more music available to consumers than ever before: most digital music services have catalogues of more than 20m tracks." - (Quote taken from the Financial Times).




The long tail on Amazon music

It is hard to pinpoint the sales of various music genres. however, it is possible to prove that niche genres do have a place on amazon.


As you can see from the screenshots, Amazon prime lists 286,494 results for Pop music, and 37,699 results for New Age music. New Age is, obviously, a niche market, but there is still a decent representation of it on Amazon.

iTunes and the long tail


  • iTunes was the first digital distributor of songs to have sold over 25billion tracks. 
  • Anderson “With no shelf space to pay for and, in the case of purely digital services like iTunes, no manufacturing costs and hardly any distribution fees, a miss sold is just another sale, with the same margins as a hit. A hit and a miss are on equal economic footing, both just entries in a database called up on demand, both equally worthy of being carried.”
  • To dispute Anderson's theory- ' The top 1 per cent of artists – the likes of Rihanna and Adele accounted for a whopping 77 per cent of recorded music income in 2013, according to research by Mark Mulligan of Midia Consulting' (http://blogs.ft.com/tech-blog/2014/03/why-the-music-industrys-fat-head-is-eating-its-long-tail/)